Aymanam-Aymanam is a story, and every traveller is a reader

In Arundhati Roy’s Booker Prize-winning novel, she speaks of stories that compel revisits— of tales you can “enter anywhere and inhabit comfortably.” Aymanam emerges as one such story. At its heart, Thekkedathu Mana at Kudamaloor stands, narrating tales from long ago, safeguarding within its walls the Sword and Palm etchings of the Raja of Chembakasseri.

A stone’s throw away, the Sarpa Kavu exudes an ancient aura, silently beckoning reverence to the venerable Snake Gods. Yet, the rhythm of Aymanam is defined by its arts. Kathakali communicates beyond words, Kalamezhuthu captures nature’s hues, Kalaripayattu defines movement with intent, and Thiruvathirakali marks annual celebrations. With each journey, travellers encounter a fresh chapter, a different viewpoint. And just as with any enthralling story, Aymanam beckons for another visit, ensuring there’s always a new tale awaiting.